Sony FX2 Full-Frame Cinema Camera with XLR Handle

For That Professional Cinematic Look

Cinematic Expression With A Full-Frame Sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R® CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.

Outstanding Image Quality for Maximum Editing Flexibility
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3^*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.

Log Recording Modes For Production Flexibility
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production^*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.

Multiple Recording Formats For Versatile Shooting And Editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)*5 recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).

Import Up To 16 User Luts
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files^*7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed*8. The LUT used for recording can then be embedded in the video metadata.

Create Moods Right In The Camera
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.

Desqueeze Display For Anamorphic Lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings^*9, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices^*10.

Frame Rate Freedom
An FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion^*11 at 4K resolution, or up to 5x slow motion^*11 when recording in Full HD at up to 120 fps.^*12

Designed for Solo Shooting

Compact And Lightweight With Built-In Accessory Mount Points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.

Ai-Based Real-Time Recognition Af
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects^*14. A detection frame indicates the recognized subject^*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30^*16.

Fine-Tuned Focus Control
AF Assist^*17 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function^*18 can significantly enhance image stability.

Automatic Framing Using Advanced Ai
The FX2’s Auto Framing feature^*19 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

Stabilization For Dynamic Handheld Shooting
Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%^*20), making it possible to shoot stable footage even when running^*21. Corresponding stabilization metadata is embedded in the footage for efficient post-production.^*21

Stills At The Flip Of A Switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.

Visual Consistency Across Stills And Videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Black Magic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.^*23

Operability For Professional Filmmaking

Tiltable High-Definition Electronic Viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24

Frequently Used Parameters All In One Place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Effective Heat Management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p^*25. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Plenty Of Power For Long Shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time^*26 or up to 155 minutes of continuous shooting^*27. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD^)*28. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.

Notes:

1. Effective megapixels. Approx. 27.6 MP for video.
2. S-Log3 recording. Sony test conditions.
3. Catalyst Browse, Catalyst Prepare, and/or Catalyst Prepare Plugin required for post production.
4. See the following web page for details on Log recording: https://helpguide.sony.net/di/pp/v1/en/index.html
5. Recording in 4K 60p (59.94p) is only available when using APS-C/Super 35mm mode.
6. The available frame rate options change depending on the recording settings.
7. 17 and 33 point CUBE (.cube) files supported.
8. For app/service availability by country and region, see https://creatorscloud.sony.net/catalog/servicearea.html
9. Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.
10. See the following web page for details: https://www.sony.net/ccmc/
11. [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.
12. Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.
13. As of the May 2025 product announcement. Sony survey.
14. Available subject settings are: AUTO, Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.
15. The detection frame is OFF by default.
16. Compared to the FX3/FX30. Sony tests.
17. Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.
18. Compatible lenses are listed at: https://www.sony.net/dics/breathing/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.
19. Framing is cropped from 4K images, resulting in reduced angle of view.
20. Compared to Active Mode, Sony tests.
21. Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available.
22. Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.
23. Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.
24. Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.
25. Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).
26. CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON/OFF operation.
27. CIPA standard. In LCD monitor mode.
28. A USB PD compatible power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.